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History of indie1979: Sub Pop Records is born in Olympia, Wash., initially as a fanzine called Subterranean Pop.
1981: Guitarists Thurston Moore and Lee Ranaldo hook up with bass player Kim Gordon and call themselves Sonic Youth.
1984: Minneapolis post-punk band Hüsker Dü releases the "Zen Arcade" double LP, providing a creative blueprint for ambitious underground bands from the Replacements to the Pixies.
1987: Former Dinosaur Jr. bassist Lou Barlow releases "Weed Forestin," a lo-fi collection of home recordings, under the curious name Sentridoh (a percursor to Sebadoh).
1989: Merge Records is formed in Chapel Hill, N.C.
1991: Sebadoh releases the 7-inch single "Gimme Indie Rock!" The tongue-in-cheek title ironically helps cement the term in the underground-music community.
1993: Liz Phair's (left) seminal "Exile in Guyville," a post-feminist response to the Rolling Stones' "Exile on Main St.," hits the shelves. That same year, Isaac Brock and two friends form Modest Mouse.
1994: Guided by Voices releases "Bee Thousand," a proudly messy, amateurish album of brilliant, '60s-influenced melodies and surreal lyrics.
1997: Death Cab for Cutie starts as a solo project for Ben Gibbard. That same year, the Shins are formed in New Mexico as a side project to frontman James Mercer's other band, Flake.
2003: "The O.C." first airs, and Adam Brody is suddenly forever connected with Death Cab. The soundtrack was mostly indie rock. The Fox show runs through February 2007.
2004: "Garden State" is released in theaters, and the Shins, the song "New Slang" and Natalie Portman in a pair of giant headphones expose moviegoers to a big dose of indie rock.
2007: The Arcade Fire releases its second record on Merge, "The Neon Bible."
http://www.denverpost.com/entertainment/ci_5920752
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