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PostPosted: Mon May 04, 2009 4:22 am  Reply with quote



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The Physics and Psychophysics of Music: An Introduction



The Physics and Psychophysics of Music: An Introduction
Springer | ISBN: 0387094709 | 2008-10-09 | PDF | 228 pages | 18 Mb



This introductory text deals with the physical systems and biological processes that intervene in what we broadly call "music." It analyzes what physical properties of sound patterns are associated with what psychological sensations of music, and describes how these sound patterns are actually produced in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Without using complicated mathematics, the author weaves a close mesh between the disciplines of acoustics, psychophysics, and neurobiology, offering an integral picture of not only the science of music, but also the "music of science", that is, the beauty and excitement of scientific research, reasoning and understanding. This text should be accessible to undergraduate-level students, whether from science, arts or engineering schools, but it should also be useful to professional musicians, physics educators, acoustical engineers and neuroscientists.

The fourth edition incorporates recent research on tone generation in musical instruments and latest findings in brain science, including substantially updated coverage of psychophysics and brain function relevant to music perception, new results from tomographic imaging, and new understanding of the neural processes responsible for human consciousness and the emotional response of the brain to music.


http://avaxhome.ws/ebooks/science_books/physics/0387094709.html

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PostPosted: Wed May 06, 2009 2:36 am  Reply with quote



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Acoustics and Hearing





Peter Damaske, "Acoustics and Hearing"
Springer | 2009 | ISBN: 3540782273 | 132 pages | PDF | 1,2 MB

When one listens to music at home, one would like to have an acoustic impression close to that of being in the concert hall. Until recently this meant elaborate multi-channelled sound systems with 5 or more speakers. But head-related stereophony achieves the surround-sound effect in living room with only two loudspeakers. By virtue of their slight directivity as well as an electronic filter the limitations previously common to two-speaker systems can be overcome and this holds for any arbitrary two-channel recording. The book also investigates the question of how a wide and diffuse sound image can arise in concert halls and shows that the quality of concert halls decisively depends on diffuse sound images arising in the onset of reverberation. For this purpose a strong onset of reverberation is modified in an anechoic chamber by electroacoustic means. Acoustics and Hearing proposes ideas concerning signal processing in the auditory system that explain the measured results and the resultant sound effects pleasing to the audience.

http://avaxhome.ws/ebooks/engeneering_technology/AcousticsHearing.html

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PostPosted: Thu Jun 11, 2009 3:03 am  Reply with quote



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The Recording Engineer's Handbook




Bobby Owsinski, «The Recording Engineer's Handbook»
Artistpro | ISBN: 1932929002 | 2004 | PDF | 384 pages | 10.9 MB

The third title in the series from author Bobby Owsinski takes you into the tracking process for all manner of instruments and vocals. Learn the tricks the professionals use to record exceptional audio tracks for hit records and learn directly from these award-winning engineers and producers as they reveal how they make their hits in the studio.

http://rapidshare.com/files/23770..._handbook.9781932929003.20888.pdf

http://avaxhome.ws/ebooks/RecordingEngineer.html

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PostPosted: Thu Jun 11, 2009 3:04 am  Reply with quote



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Desktop Audio Technology: Digital audio and MIDI principles




Francis Rumsey, "Desktop Audio Technology: Digital audio and MIDI principles (Music Technology)"
Publisher: Focal Press | 2003-11-21 | ISBN 0240519191 | PDF | 288 pages | 3.5 MB


n this thorough introduction to the technology behind audio workstations, Dr Francis Rumsey explains not only how digital audio works but also how to make best use of its capabilities. A combined revision of his two successful titles, MIDI Systems and Control and The Audio Workstation Handbook, this new book covers recent developments such as surround sound formats, direct stream digital, new audio project formats, new interfaces and alternatives to MIDI.

Desktop Audio Technology begins by setting out principles of digital audio and how these are applied in recording, replay and editing within workstations. MIDI and synthetic audio control is then covered, looking at the means by which artificial sounds can be controlled and manipulated. This is followed by explanations of hardware, including storage devices, buses, computer interfaces and audio processing options. Dr Rumsey then focuses on transferring audio between systems, including coverage of audio interfaces, networking and file formats. The next section examines audio software, providing working examples of different commercial packages that exemplify some of the concepts previously described. The final chapter considers operational issues such as recent spatial reproduction formats, consumer format mastering and quality control issues, as well as troubleshooting and systems issues.

If you are a student, lecturer or practitioner in the field of audio and are looking for an authoritative technical guide to the underlying principles of digital audio and MIDI, this book is for you.

Dr Francis Rumsey is a Reader in Sound Recording at the University of Surrey (UK) and a Visiting Professor at the School of Music in PiteƄ (Sweden). He is a Fellow of the Audio Engineering Society and a regular contributor to the AES Journal. Dr Rumsey is also author of Spatial Audio and co-author of Sound and Recording (with Tim McCormick) and The Digital Interface Handbook (with John Watkinson), all published by Focal Press.

* Complex issues are covered in a lucid manner, accessible for those with little prior knowledge of the subject
* Explains how to get the best results from your equipment and includes advice on troubleshooting when things go wrong
* Written by a leading academic and Fellow of the Audio Engineering Society


http://www.megaupload.com/?d=MHKMTGEA

http://avaxhome.ws/ebooks/engeneering_technology/Halle1244585376.html

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PostPosted: Thu Jun 11, 2009 3:06 am  Reply with quote



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Home Recording Power!, Second Edition



Home Recording Power!, Second Edition
Publisher: Course Technology | Pages: 320 | 2003-08-11 | ISBN 1592001270 | PDF | 5 MB

Now you can record your music like a pro right from your own home! "Home Recording Power! 2nd Edition" give you all of the tips and techniques that you need to set up your home recording studio and see your musical project through to completion. You'll learn how to do everything from initially setting up your studio before you begin to promoting and marketing your finished product. "Home Recording Power 2nd Edition" is the start-to-finish guide you need to take your musical inspiration from concept to completion.

http://www.megaupload.com/?d=6CBI168Q

http://avaxhome.ws/ebooks/engenee...nology/home_recording_second.html

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PostPosted: Fri Jun 12, 2009 5:31 am  Reply with quote



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The Art of Recording: Understanding and Crafting the Mix



William Moylan, "The Art of Recording: Understanding and Crafting the Mix"
Focal Press | 2002 | ISBN: 024080483X | 304 pages | PDF | 2,45 MB

The Art of Recording articulates and explores the ways recorded sound is different from live sound, and how those differences can enhance music, including surround sound. It presents a system for developing the critical and analytical listening skills necessary to recognize and understand these sound characteristics--the same skills necessary to create quality recordings-- and for talking about or describing sound.

The Art of Recording also considers audio recording as a creative process. The reader will learn to guide the artistry of music recording from its beginning as an idea, through its development during the many stages of the recording sequence, to its final form.

Take a new and detailed look at many of the greatest recordings of The Beatles, offering insights into how the recording process shaped their music, and how you can gain control over the craft of making great recordings.

* Recognize the unique qualities of recorded sound

* Realize the full potential of sound quality in the production of music recordings

* Discover your own creative voice in shaping music recordings

http://avaxhome.ws/ebooks/engenee...io_video_tv/Art_of_Recording.html

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PostPosted: Fri Jun 12, 2009 5:32 am  Reply with quote



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Vibrations and Waves (Introductory Physics Textbooks series, Volume 3)




Benjamin Crowell, "Vibrations and Waves (Introductory Physics Textbooks series, Volume 3)"
Light and Matter | 2000 | ISBN: 0970467036 | 106 pages | PDF | 5,3 MB

Book 3 in the Light and Matter series of introductory physics textbooks. Examines and explains vibrations, resonance, free waves, and bounded waves. Includes a glossary, index, photo credits, and useful data page

http://avaxhome.ws/ebooks/science_books/physics/VibrationsWaves.html

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PostPosted: Sun Jul 05, 2009 11:56 pm  Reply with quote



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Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment



Sound Systems: Design and Optimization: Modern Techniques and Tools for Sound System Design and Alignment
Focal Press | 2007-02-05 | ISBN: 0240520203 | 528 pages | PDF | 25 MB


With this definitive guide to sound reinforcement design and optimization, Bob McCarthy shares his expert knowledge and effective methodology developed from decades of field and teaching experience. This book is written for the field professional as well as the consultant or student, in a clear and easy-to-read style and illustrated with color diagrams and screenshots throughout. McCarthy's unique guide reveals the proven techniques to ensure that your sound system design can be optimized for maximum uniformity over the space.
The book follows the audio signal path from the mix console to the audience and provides comprehensive information as to how the sound is spread over the listening area. The complex nature of the physics of speaker interaction over a listening space is revealed in terms readily understandable to audio professionals. Complex speaker arrays are broken down systematically and the means to design systems that are capable of being fully optimized for maximum spatial uniformity is shown.
The methods of alignment are shown, including measurement mic placement, and step-by-step recipes for equalization, delay setting, level setting, speaker positioning and acoustic treatment. These principles and techniques are applicable to the simplest and most complex systems alike, from the single speaker to the multi-element "line array."
* The first book devoted exclusively to the emerging field of sound system optimization using modern tools and practices.
* Offers you expert guidance on the popular tools of the trade, including line arrays and digital signal processors
* Color images and diagrams throughout aid understanding and clearly illustrate topics within the book

http://www.megaupload.com/?d=MPSCLZ4J

http://avaxhome.ws/ebooks/engenee...y/systems_sound_optimization.html

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The Dance Music Manual



The Dance Music Manual: Tools, Toys and Techniques
English | Focal Press | 2004 | ISBN-10: 0240519159 | PDF | 528 pages | 5.56 Mb

Whatever your level of experience, The Dance Music Manual is packed with sound advice, techniques and practical examples to help you achieve professional results. Written by a professional producer and remixer, the book is organised into three accessible sections: Technology and theory If youre relatively new to the technology and theory behind todays dance music, Rick Snoman discusses the basics of MIDI, synthesis and sampling, as well as music theory, effects, compression, microphone techniques and sound design. Dance genres This section covers techniques for producing different musical styles, including Trance, Trip Hop, Rap and House. Snoman takes a close look at the general programming principles behind drum loops, basses and leads for each genre, in addition to the programming and effects used to create the sounds. Mixing and promotion Snoman guides you through the art of mixing, mastering, remixing, pressing and publishing your latest masterpiece. This includes a look at how record companies operate, copyrighting your material, pressing your own records and the costs involved. Finally, guest contributors offer essential advice on DJing and how to create your own website to promote your music.


http://avaxhome.ws/ebooks/The_Dance_Music_Manual.html



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