Free Pony Theory ~ [Book] Music & Art History

Joined: 23 Sep 2006 Posts: 1088

Philosophy of the Arts An Introduction to Aesthetics, 3 Ed

Joined: 23 Sep 2006 Posts: 1088

Grant Pooke : Art History: The Basics

Grant Pooke : Art History: The Basics
Pages:263 | PDF | Routledge; 1 edition (December 13, 2007) | ISBN: 0415373085 | 3.63 MB

Art History: The Basics is a concise and accessible introduction for the undergraduate approaching the history of art for the first time at college or university, and for anyone else interested in the subject.......

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Joined: 23 Sep 2006 Posts: 1088

The Problem of Assessment in Art and Design

Trevor Rayment, "The Problem of Assessment in Art and Design"
Publisher: Intellect Ltd | 2007-07-30 | ISBN 184150145X | PDF | 128 pages | 1.1 MB

Â Due to the inevitably subjective nature of art, the issue of evaluating the work of art students will always be controversial. In The Problem of Assessment in Art and Design, a distinguished group of art educators and experts examine this divisive topic across the educational spectrum, from elementary schools to university campuses.
This volume analyzes the present state of art and design assessment from both historical and philosophical perspectives, pointing the way toward possible directions for reform and reconciling the conflict between objective evaluation and individual creativity.
Â
â€œThe chapters provide an historical and philosophical analysis of the present state of assessment in art and design in England where assessment in art and design is considered to be essential, but where the assessment procedures are controversial and vehemently contested. Without providing any practical, definitive answers the authors map out some possible directions for reform.â€â€”Teresa EÃ§a, Apecv, Portugal

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Joined: 23 Sep 2006 Posts: 1088

Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism (Ahmanson-Murphy Fine Arts Book)

Martin Jay, Ales Erjavec "Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism (Ahmanson-Murphy Fine Arts Book)"
University of California Press | 2003-09-30 | ISBN: 0520233344 | 316 pages | PDF | 3,4 MB

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Joined: 23 Sep 2006 Posts: 1088

A Companion to Medieval Art: Romanesque and Gothic in Northern Europe

A Companion to Medieval Art: Romanesque and Gothic in Northern Europe (Blackwell Companions to Art History) by Conrad Rudolph
Publisher: Wiley-Blackwell 2006-04 | 704 Pages | ISBN: 1405102861 | PDF | 14 MB

A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.
Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.
Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.

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Joined: 23 Sep 2006 Posts: 1088

Art History: the Key Concepts

Jonatha Harris - Art History: the Key Concepts
(Routledge Key Guides)
Routledge | ISBN: 978 0415319775 | 31/10/2006 | English | 346 pages | PDF | 1.3 MB

A comprehensive critical guide, Art History: The Key Concepts considers the full range of issues facing the field today, drawing on related areas such as cultural theory and media studies.Covering the development, present status and future direction of art history, entries span wide a variety of terms and concepts such as Abstract Expressionism, design, feminism, genre, iconography and language.A clearly presented and accessible work, key features include:

· user-friendly A-Z format
· fully cross-referenced entries
· suggestions for further reading.

Engaging and insightful, as well as easy to follow and use, this is an essential reference guide for undergraduate and postgraduate students, as well as anyone with an interest in this fascinating field.

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Joined: 23 Sep 2006 Posts: 1088

Art and Thought (New Interventions in Art History)

Art and Thought (New Interventions in Art History)
Wiley-Blackwell | 2003-04-18 | ISBN: 0631227148 | PDF | Pages: 240 | 1.05 MB

Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought.

* Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.
* Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.
* Introduces the reader to the dynamic interface between philosophical reflections and art practices.
* Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

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Joined: 23 Sep 2006 Posts: 1088

Music as Discourse: Semiotic Adventures in Romantic Music

Kofi Agawu, "Music as Discourse: Semiotic Adventures in Romantic Music (Oxford Studies in Music Theory)"
Oxford University Press, USA | 2008-12-02 | ISBN: 0195370244 | 352 pages | PDF | 6,3 MB

The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. Is music a language? Does it communicate specific ideas and emotions? What does music mean, and how does this meaning occur?

Kofi Agawu's Music as Discourse promises to quickly become a standard and definitive work in musical semiotics. Working at the nexus of musicology, ethnomusicology, and music philosophy and aesthetics, Agawu presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself--composed not only of sequences of gestures, phrases, or progressions, but rather also of the very philosophical and linguistic props that enable the analytical formulations made about music as an object of study. The book provides extensive demonstration of the pertinence of a semiological approach to understanding the fully-freighted language of romantic music, stresses the importance of a generative approach to tonal understanding, and provides further insight into the analogy between music and language. Music as Discourse will be eagerly read by all who are interested in the theory, analysis and semiotics of music of the romantic period.

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http://www.ebookee.com/Music-as-D...dies-in-Music-Theory-_228688.html

Joined: 23 Sep 2006 Posts: 1088

Alfred H Barr Jr. and the Intellectual Origins of the Museum of Modern Art

SG Kantor, «Alfred H Barr Jr. and the Intellectual Origins of the Museum of Modern Art [Illustrated]»
MIT Press | ISBN: 0262611961 | 2003 | PDF | 496 pages | 2.17 MB

Growing up with the twentieth century, Alfred Barr (1902-1981), founding director of the Museum of Modern Art, harnessed the cataclysm that was modernism. In this book—-part intellectual biography, part institutional history--Sybil Gordon Kantor tells the story of the rise of modern art in America and of the man responsible for its triumph. Following the trajectory of Barr’s career from the 1920s through the 1940s, Kantor penetrates the myths, both positive and negative, that surround Barr and his achievements. Barr fervently believed in an aesthetic based on the intrinsic traits of a work of art and the materials and techniques involved in its creation. Kantor shows how this formalist approach was expressed in the organizational structure of the multidepartmental museum itself, whose collections, exhibitions, and publications all expressed Barr’s vision. At the same time, she shows how Barr’s ability to reconcile classical objectivity and mythic irrationality allowed him to perceive modernism as an open-ended phenomenon that expanded beyond purist abstract modernism to include surrealist, nationalist, realist, and expressionist art. Drawing on interviews with Barr’s contemporaries as well as on Barr’s extensive correspondence, Kantor also paints vivid portraits of, among others, Jere Abbott, Katherine Dreier, Henry-Russell Hitchcock, Philip Johnson, Lincoln Kirstein, Agnes Mongan, J. B. Neumann, and Paul Sachs.

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